Physical tabletop stop-motion animation shot at 12 fps, frame-by-frame photographed. Motion is visibly stepped and punchy, pieces snap between discrete positions. No interpolated smoothness, no CGI animation. Flat solid dark green seamless background, crisp hard studio lighting with defined shadows. No people, no hands. Multi-shot advertising edit: each shot has a LOCKED camera, shots change only through hard cuts. The reference images define the exact pink and red suede/canvas sneaker design and materials. All branding must exclusively feature "MITO" on the tongue, side stripes, and heel tab—strictly no Adidas logos or third-party branding anywhere on the shoe or heel. Preserve that identity exactly, do not redesign it.
SHOT 1 (0-2s) locked overhead wide: the pink sneaker completely disassembled and spread out—rubber sole, pink upper panels, tongue with MITO logo, heel tab with MITO logo, insole, metal eyelets, two loose red flat laces—each piece jittering into a new position every few frames on the solid dark green background under studio lights.
SHOT 2 (2-4s) hard cut to low frontal: the sole slides into center and settles, pink upper panels fold up and construct themselves around it in stepped snaps.
SHOT 3 (4-6s) hard cut to macro three-quarter: the tongue with the "MITO" logo leaps in and drops into the throat, eyelets snap into the panels one after another, one per frame.
SHOT 4 (6-8s) hard cut to locked overhead: with the pink sneaker now completely assembled, the two loose red laces snake across the solid dark green background in sharp stepped waves toward the built shoe.
SHOT 5 (8-10s) hard cut to extreme macro on the eyelets: the red laces thread themselves through every eyelet one at a time in visible increments, cross over, then whip up and tie into a perfect symmetrical bow, loops popping into shape.
SHOT 6 (10-12s) hard cut to frontal hero framing: the finished pink and red MITO sneaker rotates through four discrete stepped positions on the dark green background, showing only MITO branding on the tongue, sides, and back, landing in the exact editorial hero pose